Department For Culture Media Sport
- Restart scheme supported more than 100,000 jobs for cast and crew on more than 1,000 productions including Gentleman Jack, His Dark Materials and Living
- Financial benefits generated by the scheme were 115 times greater than the cost of delivery
- Programme provided insurance to productions delayed or interrupted due to Covid
GLOBAL TV hits nominated for BAFTAs and Oscar Academy Awards survived and thrived through the pandemic thanks to the Governments film and TV support package, which also boosted the countrys economy by 2.25 billion.
Oscar-nominated film Living, Bafta nominees Brian & Charles, Blue Jean and Good Luck To You, Leo Grande, as well as major productions including Gentleman Jack, Peaky Blinders and His Dark Materials, were all supported by the scheme. Smaller productions including Help and Stephs Packed Lunch also got help.
The findings are published today in an independent report assessing the success of the Film and TV Production Restart Scheme, which was launched in July 2020 and has supported more than 1,200 productions.
The scheme was introduced when the countrys world-class screen industries were struggling to get Covid-related insurance cover from commercial insurers. It protected production companies in the event of new restrictions or outbreaks on set among cast and crew which could force a shutdown.
Productions using the scheme created 63,500 crew positions, plus a further 37,100 cast roles, meaning a total of up to 100,600 production industry workers were given a lifeline by the scheme during an extremely challenging economic period. The report also shows the scheme created 48,500 full-time jobs both directly in the sector and indirectly through supply chains.
The report, carried out by Nordicity & Saffery Champness LLP, found total benefits generated by the scheme were 115 times greater than the cost of delivery. The scheme contributed 2.25 billion to the economy thanks to the jobs created and positive impact on the sectors supply chains and wider economy, with costs to the Government expected to be just 19.6 million. This is lower than anticipated thanks to effective work by film and TV companies to manage the risks of Covid during production.
A survey of producers showed that, on average, 73 per cent of registered productions would not have been able to spend the amount of money they did if the scheme did not exist, meaning it helped to ensure the continued growth of the sectors.
Culture Secretary Lucy Frazer said:
Our screen industries are an economic powerhouse and we should be proud that the UK is firmly established as one of the best places in the world to create blockbuster content.
When the pandemic threatened that success we stepped in to protect jobs, keep cameras rolling and ensure our producers could keep making the exceptional content that the UK is famous for.
The Film and TV Restart Scheme protected productions that supported jobs, contributed to our economy and entertained audiences across the world.
John McVay, chief executive of the screen industry trade body Pact, said:
The swift actions of the UK Government to set up the PRS at a time of unprecedented crisis in the UKs Film and TV industry showed that by working closely with a major UK industry public funds could be effectively used to support one of the UKs key economic and cultural industries. The PRS saved many small British production businesses from failing while also helping support significant employment. But more importantly ensured that the UK public could continue to enjoy great British programmes and films.
Ben Roberts, BFI Chief Executive said:
Setting up the Film and Television Production Restart Scheme showed overnment and industry working together at their best and at speed, enabling cameras to roll and businesses, cast and crew to get back to work. Making this happen at a crucial time after production had ground to a halt will always be appreciated by the sector. It has played a major part in the industrys recovery out of the pandemic in doing to enabled the industry to get more than a thousand productions made, contributed billions in production spend and revenues to economy and maintained global confidence in our world-leading production industry.
Thanks to the scheme, productions could continue creating new content for audiences around the world while curbs remained on their social lives. It also enabled our world-class film and TV industries to continue to drive economic growth and create new jobs.
The scheme supported a large number of productions outside of London, with a total of 58 per cent of film and TV productions registered by the scheme based outside the capital.
Now that restrictions have ended, the film and TV sectors have been able to reach new heights thanks to the strong government backing they received during the pandemic. Last year saw a record 6.27 billion of production spend in the UK and the sectors are continuing to grow the economy and create jobs across the entire country.
ENDS
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